Also, with this solo, there is a second lead voice.
Bars 1 to 2
The first triplet or the tapped notes are harmonized in fourths (D-G, E-A, A-D), followed by diatonic thirds (C-E, B-D, A-C)
Bars 3 to 4
Here, too, we continue with thirds, whereby we must make sure that we have A Dorian (A-B-C-D-E-F#-G) in bar 3 and,
of course, minor (A-B-C-D-E-F-G) in bar 4 A
Bars 7 to 8
The final arpeggio of the second voice is in this case also a third higher and is, therefore, an Em7 arpeggio (E-G-B-D).
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