Rome wasn’t build in a day but here it is: another Solo of the Week! As you may already know we start with listening to the track:
These are the chords:
The Chords point to a very distinct B minor tonality
Bars 1 to 4
Starting on an upbeat is the key to happiness! Followed by a lot of arpeggios in B minor, A major, B minor again , D major and finally B minor. A# is played to underline the character of B harmonic minor as a scale. With this note F#5 becomes an F# major, because A# is the major third of the F# major chord.
Bar 5 to 8
There is no shame in repeating a good melodic phrase. The only difference is last note B the major third of the underlying G major chord
Bars 9 to 12
Let’s move on with another B major arpeggio. In this case the perfect fifth F# is bended upwards from the E. In bar 10 I play a F# minor arpeggio which adds to the underlying E5 chord the options F# (major ninth), A (perfect fourth) and C# (major sixth). I land on the A as the perfcet fith of the upcoming D chord.
In bar 11 I play the same B minor arpeggio just one octave higher. Bar 12 brings us a G major arpeggio with A# as the target note. The underlying chord is F#5 so we turn it into an F# major by playing this A# as the major third.
Bar 13 to 16
Closing in with some nice melodies based on the B minor scale. But always look at the target notes: in bar 13 it’s F# as the perfect fifth of B and the E as perfect fifth of A.
In bar 14 the B as major third of G and the F# as the root note. The arpeggio on beat 3 in bar 14 sounds a bit exotic by adding the notes D and D# (minor and major sixth), A and A# (minor and major third) as well as the G (minor ninth)
The final phrase needs some stamina, so start practicing slow. The end of the run is of course the root note B.
Enjoyed this one? You can find more solos in my book
SdW_Brand New Start – Guitar Pro-File